Brentano String Quartet
VIDEO
PRESS ACCLAIM
REPERTOIRE
2025 - 2026 PROGRAMS
MASTER LIST OF PIECES OFFERED
Timo Andres: Machine, Learning (2019)
Bartok: Quartet No. 4, Sz 91
Beethoven: Quartet in F-Major, Op. 18 No. 1 (available after Jan 1, 2026)
Beethoven: Quartet in G-Major, Op. 18 No. 2
Beethoven: Quartet in C-Major, Op. 59 No. 3
Beethoven: Quartet in Eb-Major, Op. 74 (available after Jan 1, 2026)
Dvorak: Quartet in G Major, Op. 106
Haydn: Quartet in C-minor, Op. 17 No. 4 (available after Jan 1, 2026)
Haydn: Quartet in D-Major, Op. 20 No. 4 (available after Jan 1, 2026)
Haydn: Quartet in C-Major, Op. 54 No. 2
Schubert: Quartet in A-minor, D. 804 (“Rosamunde”) – available through Dec 31, 2025.
Webern: 5 Movements for String Quartet, Op. 5
SPECIFIC SUGGESTED PROGRAM OPTIONS
(other combinations possible – please ask!)
Fall 2025 (through Dec 31, 2025):
Program 1: Haydn Op. 54, No. 2
Bartok No. 4
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Dvorak Op. 106 in G-Major
Program 2: Schubert A-minor (D. 804)
Webern 5 pc. OR (presenter choice) Timo Andres “Machine, Learning”
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Beethoven C-Major Op. 59, No. 3
SPECIAL PROJECTS
Mozart: the six viola quintets (with Hsin-Yun Huang, viola)
Haydn: the six Op. 33 quartets (available through January 15, 2026)
performed in two programs, or in a single program with two intermissions (one of which could be an extended break for dinner).
Spring 2026 (January 1, 2026 and later):
Program 3 (All-Beethoven)
Op. 74;
Op. 18/1 OR (presenter choice) Op. 18/2
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Op. 59/3
Program 4:
Haydn Op. 17/4
Webern 5 pc.
Haydn Op. 20/4
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Andres “Machine, Learning”
Haydn Op. 54/2
June 2024
BIOGRAPHY
Mark Steinberg, violin
Serena Canin, violin
Misha Amory, viola
Nina Lee, cello
With a career spanning over three decades, the Brentano Quartet has appeared throughout the world to popular and critical acclaim. The New York Times extols its “luxuriously warm sound [and] yearning lyricism; and the Times (London) hails their “wonderful, selfless music-making.” Known for its unique sensibility, probing interpretive style, and original programming, the Quartet has performed across five continents in the world’s most prestigious venues and festivals, thus establishing itself as one of the world’s preeminent ensembles.
Dedicated and highly sought after as educators, the Quartet has served as Artists-in-Residence at the Yale School of Music for the past decade. They also lead the Norfolk Chamber Music Festival and appear regularly at the Taos School of Music. Previously, the Quartet served for fifteen years as Ensemble-in-Residence at Princeton University.
In the 2024-25 concert season, the Quartet will premiere a program called “Evocations of Home,” featuring a new work by Lei Liang in honor of the late composer Chou Wen-chung. In spring 2025, they will perform Haydn’s complete Op. 33 quartets at New York’s Carnegie Hall and in several other U.S. cities. Other recent projects include “Dido Reimagined,” a monodrama for quartet and voice with soprano Dawn Upshaw, composed by Pulitzer-winning composer Melinda Wagner and librettist Stephanie Fleischmann, as well as a viola quintet, “Heart Speaks to Heart,” by composer James MacMillan.
Formed in 1992, The Brentano Quartet has received numerous accolades, including, in 1995, the prestigious Naumburg and Cleveland Quartet Awards. They have been privileged to collaborate with such artists as soprano Jessye Norman and mezzo-soprano Joyce DiDonato, as well as pianists Mitsuko Uchida and Jonathan Biss. The Quartet has commissioned works from some of the most important composers of our time, including Bruce Adolphe, Matthew Aucoin, Gabriela Frank, Stephen Hartke, Vijay Iyer, Steven Mackey, and Charles Wuorinen.
The Quartet’s notable recordings include Beethoven’s Quartet, Op. 131 (Aeon) which was featured in the 2012 film “A Late Quartet,” starring Philip Seymour Hoffman and Christopher Walken, and a 2017 live album with Joyce DiDonato, “Into the Fire—Live from Wigmore Hall” (Warner.) Their most recent release features the K. 428 and K. 465 (“Dissonance”) Quartets of Mozart for the Azica label.
The Quartet is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved,” the intended recipient of his famous love confession.
Updated May, 2024. Please discard previous or undated versions.